Showing posts with label vinyl. Show all posts
Showing posts with label vinyl. Show all posts

Monday, September 12, 2011

It's just a chair... but it's a Shelby Williams Gazelle.

Normally I don't blog about home decor (as opposed to creating entertaining characters and publishing multimedia), but I've got to tell you I did have something akin to lust for a particular piece of seating.

In fact, this did happen once, not too long ago, when I happened upon a Herman Miller Equa chair at Costco. I plopped myself on the aisle sample, still zip-tied to the pallet. Surprisingly I felt the closest thing to pleasure possible that I could ever have imagined while tethered to a computer keyboard.

I rationalized my need for this object this by considering the facts. Finding a good seat is important nowadays. Especially when a slew of scientific studies point out how homo sapiens didn't evolve to be 9 to 5 desk jockeys. Sitting is now equated to being a couch potato, but you now have the added bonus of eye-strain, carpal tunnel, and multi-tasking attention deficit disorder. So, now I ride an "Equa B" everyday (affordably obtained BTW).

But back to the anecdote at hand. The criteria for a dining room chair is different from an office chair. There is more a premium on appearance. Size matters (in this case smaller!). Nevertheless, the chair still has to be cozy enough to allow you to nosh forever. It shouldn't eject you from enjoying a meal because your posterior gets too sore.

So on with the story...

A few months ago, while on vacation I visited my sister who treated us to a small diner in Pasadena for lunch. I took a seat by the main "farm-style" table with my family to consider the menu. It slowly dawned on me that I was sitting in a very, no make that extremely, comfortable chair. I stood up and looked at it. Then I sat down again.

The cushion was soft but firm.

The design was modern but retro.

The chair was compact but durable.

It afforded a range of motion but provided support.

The diner's chair was a clean white vinyl, but clearly had to take a licking but keep on ticking.

Then (mind you, normally I don't do this either) I surreptitiously bent down to see if the manufacturer's name was written on the bottom. After eating my sandwich, I looked under the chair again to make sure. I walked to the counter, grabbed a the restaurant's business card and pen and wrote it down.

It was a Shelby Williams.

Later when I got home, I emailed the restaurant. I couldn't wait for a reply, so I called them. Not to ask about their recipes, but about their chairs. I hinted to my sister that she could follow up and walk over there during her lunch break if she wasn't busy. One lead led to another, and I discovered that this particular piece of furniture was old and not made any more at all. The company still existed but their website no longer produced this model.

I searched the web and finally identified the item. Mid Century Modern. Akin to Danish Erik Buck and Eames. A Gazelle, aka Antelope or Impala.

A fitting name. Connoting fluid motion. Sleek lines. A burst of energy from a position of rest.

In the back of my reptilian brain, I knew this could be the start of a fruitless search. But indulgently I allowed the seed to germinate, and then watered it with a daily trickle of web browsing. This yielded a predictable paucity of results, most of which led to dead ends. The links that did stand up were on the other end of the spectrum - listings fitted to shoppers where price was not an object.

However, I'm glad to report a happy ending. Miraculously, I found a super nice person who was selling 3 chairs. I immediately hopped in the car to make her acquaintance and came home with my very own trio of orange Gazelles (affordably obtained BTW).

My kids crawled atop them without a second thought.

More importantly my wife was pleased too.

My search has ended for now.

For another smitten aficionado's take, visit www.finedivingchicago.com/?p=4536.

Wednesday, August 3, 2011

August means Attaboy!

Yes, we try to blog every month that begins with "A". No, seriously folks, we have a brand spanking new book out...so here goes.

This picture is worth at least 100 words. The other 900 and change you can find inside the covers of You Might be a Monster and Other Stories I Made Up. Attaboy surely has made more than his fair share of tales which collectively break the expectations of what a kids book is.

For one thing, when have you read a book with a couch of contents?

Secondly, name a children's adventure that had at least a dozen monsters you hadn't seen before?

Thirdly, when have you seen a dustjacket that can wrap around from the inside out?

Don't get me started buddy. You get the idea. Anyhoo, you'd definitely get more than your nickel's worth as you confront a riot of color, characters, and poems, chock full of brio and moxie from a certifiably wild brain.

Attaboy is definitely a rule bender, as you can tell from his recent author photo. As you may know, he co-founded Hi-Fructose magazine with his partner Annie Owens. This pop "cult" periodical showcases like-minded artists who push buttons and envelopes and other drawing implements around to create genre-bending and innovative art. Their latest issue #20 has instantly sold out.

Recently Atta kicked off San Diego Comic Con with his new book and now is slinging couplets at lucky readers up on down the California coast. Catch him in the coming weeks at:

  • August 5th at Dragatomi, Sacramento, CA

  • August 6th at The Escapist, Berkeley, CA

  • August 7th at SF MOMA, San Francisco, CA

  • August 11th at Meltdown Comics, Los Angeles, CA

  • August 12th at Sweet Breams, San Mateo, CA

  • August 13th at Books Inc., Alameda, CA

  • Atta will even give away a rare "heat-seeking" glow-in-the-dark ASTRX at the SF MOMA!

    This will undoubtedly make more monsters out there, hungry for more offbeat humor and off-the-wall illustrations. As Publishers Weekly recently reviewed:

    "Artist and toy designer Attaboy pairs flippant humor with page-popping digital cartoons in this collection of monster-themed poems....Readers should be drawn toward the subversive, macabre tone and lurid, Cartoon-Network-on-acid illustrations..."